Size: 34 Inches Height X 28 Inches Width x 10 Inches Depth
Color: BLUE GOLD
About the color: This is a maintenance free finish, it never loss its shine and color you just have to wipe it with a dry cotton cloth. Usually, Brass changes their color with time, but with this color finishing stays lifetime.
Oval Brass Nataraj is shown with four hands represent the cardinal directions-The upper left hand holds a flame, the lower left hand points down to the dwarf. The upper right hand holds an hourglass drum or 'dumroo' that stands for the male-female vital principle, the lower shows the gesture of assertion: "Be without fear."
Nataraj- The Dancing Shiva, is a provider of Courage, Hope, Power, Knowledge, Intellect and Devotion.This cosmic dance of Shiva is called 'Ananda-tandava,' meaning the Dance of Bliss, and symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy — creation, destruction, preservation, salvation, and illusion. A fine example of great artisanship, this Nataraj figurine is a worthy investment for sure. Place it in your living room and get praised for your exclusive choice. Made from brass, it is sturdy and superior in quality. IN Hinduism, Nataraja or Nataraj, The Lord of Dance is a depiction of the Hindu god Shiva as the cosmic dancer Koothan, who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.
The handwork is very fine with incredible detailing. This unique work of art is ideal as a temple sculpture or statue. Hand-carved by our skillful craftsmen .Enhance your home and garden by this graceful new Statue, symbol of universe protector & divine.
Nataraja or Nataraj, the dancing form of Lord Shiva, is a symbolic synthesis of the most important aspects of Hinduism, and the summary of the central tenets of this Vedic religion. The term 'Nataraj' means 'King of Dancers' (Sanskrit nata = dance; raja = king).
The origins of Nataraja, and of the Hindu god Shiva himself, lie thousands of years ago. However, the form we recognise best today may have reached its apex around the 9th or 10th century in southern India: The Ananda Tandava, or blissful dance
In it, Shiva is in the Bhujangatrasita karana pose—literally “frightened by a snake “—with his left leg held across his body at hip level, and every element contains a deep meaning. Roughly, Shiva is here at once seen creating and destroying existence; offering the escape hatch from this constant chaos; and, finally, revealing the clue to that escape hatch, which is to subdue ignorance.
The Nataraja’s rear left arm carries the hourglass-shaped drum, damuru, the vibrations of which create the universe. Some conflate this with the Big Bang of cosmic creation.
The raised, rear right-hand carries the fire that atrophies matter to a formless state, only for regeneration. In that sense, it is the fire of transformation, not destruction. It implies constant change, echoing the Buddhist precept of “There’s no being, only becoming.”
The open palm of the forehand indicates an assurance: There is nothing to fear about constant cosmic overhaul; change is normal and I’m here to protect you.
The hidden lower-left palm pointing downwards says he’s the creator of maya, illusion or the veil of ignorance.
The raised left foot, combined with the closed hand, signifies the option available before the seeker: moksha or liberation from ignorance and, by implication, from the cycle of birth and death.
This dwarf demon at the Nataraja’s feet represents the evils of ignorance and ego, to be trampled upon if one must rise to a higher plane of self-actualisation.
The frame around Nataraja is maya, illusion, as experienced through the cyclical phenomenon of birth & death.
This cosmic dance of Shiva is called 'Anandatandava,' meaning the Dance of Bliss, and symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy—creation, destruction, preservation, salvation, and illusion.